UG
Ulrich Gall
"La Nueva Columna 'Sin Fin'" by Miguel Baca Rossi
This striking red sculpture, dominating the streetscape, is titled "La Nueva Columna 'Sin Fin'," which translates to "The New Column 'Without End' " or "The Endless Column." It's a creation by Peruvian artist Miguel Baca Rossi, dating back to 1979. What makes it particularly intriguing is the way it incorporates various industrial elements, especially the numerous wheels and gears that seem to be stacked and integrated into its design. This kind of abstract, constructivist art is often intended to invite viewers to interpret its meaning, sometimes reflecting on themes of industry, perpetual motion, or the endless cycle of life and progress.
Baca Rossi was a renowned Peruvian sculptor known for his abstract and monumental works. He frequently worked with materials like metal, exploring forms and textures that resonated with modern industrial aesthetics while often carrying deeper philosophical undertones. "Sin Fin" certainly fits this mold, using familiar machine parts in an unfamiliar configuration, prompting a second look and deeper thought about their purpose and the overall message. The juxtaposition of these mechanical components against the bustling urban environment of Miraflores further highlights the interplay between human ingenuity, industrialization, and the natural world, symbolized perhaps by the trees growing around it. It stands as a unique artistic landmark within the city, an unusual and thought-provoking piece amidst the shops and daily life.
"La Nueva Columna: Sin Fin" - Miraflores Sculpture
This sculpture, titled "La Nueva Columna: Sin Fin" (The New Column: Endless), is a work by Peruvian artist Miguel Ángel Gayo. Created in 1978, it's an example of assemblage art, a technique where various found objects are brought together to create a new, often symbolic, form. Here, Gayo has used a collection of industrial and household items, notably many wheels and mechanical parts, painted in a vibrant red, to construct a vertical piece that evokes a sense of continuous motion or an unending cycle. The title "Sin Fin" reflects this idea of endlessness, perhaps referencing the cyclical nature of urban life, consumerism, or even the passage of time.
The New Endless Column by Miguel Aguirre Velezmoro
The striking red structure is a public sculpture titled **"La Nueva Columna Sin Fin"** (The New Endless Column), created by Peruvian artist **Miguel Aguirre Velezmoro** in 2018.
It’s an assemblage art piece, constructed using recycled industrial materials, primarily wheels and metal scrap, painted a vibrant red. The work nods to the famous "Endless Column" by Romanian sculptor Constantin Brâncuși, a modernist masterpiece, but Velezmoro reinterprets the idea using objects characteristic of modern machinery and consumption.
The use of seemingly discarded elements—like various sized tires and mechanical parts—stacked upward creates a commentary on industrialization, urban sprawl, and the constant cycle of waste and renewal in modern Peruvian society.